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Ayres & Graces Excerpt
Watch an excerpt from the Brandenburg Ensemble's 2020 concert Ayres & Graces, recorded live at City Recital Hall, Sydney in August 2020.
PROGRAM
Jean-Baptiste Lully Prologue: Ouverture to Cadmus et Hermione, LWV 49
Marin Marais Musettes 28 and 29 from Pièces de Viole, Livre IV, Suite No. 4 in A minor
Jacques-Martin Hotteterre Pourquoy doux rossignols from Airs et Brunettes
Francesco Geminiani Auld Bob Morrice from A Treatise of Good Taste in the Art of Musick
Henry Purcell Curtain Tune on a Ground from Timon of Athens, Z 632
Want to experience the full-length concert? Click here to subscribe to Brandenburg One, and here to find out more.
Image Credits: Keith Saunders, 2020
AYRES & GRACES PRESENTING PARTNER
Discover More
Musicians
Paul Dyer AO Artistic Director
Melissa Farrow* Baroque flute & recorder
Mikaela Oberg Baroque flute & recorder
Rafael Font Baroque violin
Marianne Yeomans Baroque viola
Anton Baba Baroque cello & viola da gamba
Tommie Andersson* Theorbo, Baroque guitar & archlute
*Denotes Core Brandenburg Musician
Image Credit: Keith Saunders, 2020
Digital Creatives
Video Director Oliver Miller
Sound Engineer Richard Hundy
Imagery Design Silvana Azzi Heras & Paul Dyer
Video & Sound Editor Oliver Miller
Lighting Design Sophie Pekbilimli
Image Credit: Keith Saunders, 2020
Subscribe to Brandenburg One
Want to see the full-length Ayres & Graces concert? With a Brandenburg One subscription you receive access to exclusive performances, full-length concert recordings and Digital Premières over 12 months. To find out more about the benefits of a Brandenburg One subscription, click here.
From our Presenting Partner APA Group
APA is proud to support Ayres & Graces. Arts and entertainment are important to Australia’s diverse culture and economy. During the COVID-19 pandemic these sectors and the artists, musicians, creatives and makers at its core, have been particularly hard hit. Innovation like this online series of recitals is evidence of their innovation and resilience. It will sustain and broaden audiences for this music long into the future.
Image Credit: Katelyn Jane-Dunn, 2020
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